Download Music Theory EPUB For Free written by Mark Andrew Cook, Director for Music Theory and Composition at Shepherd University. He is also a member of the Jazz Studies Faculty. Prior to his appointment at Shepherd, he served as a member of the Music Theory Faculty and was the Jazz Ensemble Director at The Catholic University of America.
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Introduction
The first musical stimulus anyone reacts to is rhythm. Initially, we perceive how music is organized in time, and how musical elements are organized rhythmically in relation to each other. Early Western music, centering upon the chant traditions for liturgical use, was a rhythmic to a great extent: the flow of the Latin text was the principal determinant as to how the melody progressed through time.
As Western music moved from monodytopolyphony(“single voice” to “multiple voices”), sets of symbols developed gradually that allowed musical time to be established against a recurring background pulse. This also allowed multiple elements in music to be established in tandem with one another. These symbols evolved into the durational values(“note values”) that form the foundation for music notation.
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